Amis Productions has a world-class reputation in providing stabilised images from  the water.

We take pride in our ability to delivery the highest standards in the most difficult conditions around the globe, and it starts with the boat


Successfully shooting from the water requires some basic elements: the correct gyro-stabilised camera system, a dampening component to protect this system in heavy seas and high speeds, a boat driver and a camera operator who understand their equipment, the sport which is being filmed and each other, and the correct vessel to go to sea with.

Amis Productions has the experience and the tools to provide all these crucial components in-house. We have a range of gimbals and dampeners and years of experience rigging them to hundreds of different vessels for an unrivalled client list including the America’s Cup, the Volvo Ocean Race, The Olympic Games, SailGP, Rolex, ISAF/World Sailing and many commercial and private clients.

The boat CAMBRIA is our in-house camera ship. She was purpose-built, in consultation with Amis Productions, for the 34th America’s Cup World Series, Louis Vuitton Challenge and the Cup itself in San Francisco, and went on to film the 35th America’s Cup round finishing with the Cup in Bermuda. CAMBRIA was built with only one purpose in mind, to film inshore yacht racing at high speed.

All critical elements were considered - low wake, wave piercing hulls to prevent slamming, high manoeuvrability, exceptional visibility for driver and camera operator, dampened seat and operation table for camera operator, 12 and 24V inboard voltages with generator redundancy, integrated camera mount and dampener, exceptional turret field of view and critically the ability to be quickly dismantled into two 40” sea containers for easy transport and reassembly in any location. CAMBRIA has been successfully moved 23 times to different race tracks across the globe to date and counting.

To find out more about CAMBRIA, Click Here

Cineflex V14

The HD Cineflex V14 is an ultra flexible, lightweight, high performance gyro-stabilised camera system. The system comes fitted with a Sony High Definition camera (Sony HDC-950 or HDC-1500) with various lens options available.

Flir UltraMedia

Flirs most advanced broadcast camera system, its robust military spec construction makes it an unbeatable system to cope with the demands of filming in extreme environments.

Shotover F1

A 6-axis gyro stabilised platform that delivers unshakeable stability with look down capability for use inverted, or right side up—on almost anything that moves. It rigs fast and accommodates over 175 camera and lens combinations, for the look you want. Its compact carbon fibre construction means it ships as excess baggage on commercial flights worldwide with no export restrictions.

Shotover M1

A small and lightweight 6-axis gyro stabilised gimbal platform designed to meet the needs of 2K, 4K and 8K live broadcast. The SHOTOVER M1 features an open platform design that allows for future resolution growth, while delivering unshakable stability and unmatched look down capability. It's compact nature makes it perfect for easy transport and fast installation

GSS C516

This platform has been developed to integrate modular digital cinema cameras with almost any long or short lens combination. The 16" turret is constructed using the latest carbon fibre technologies making it the smallest and lightest in it's class, easing transport costs and maximising aircraft endurance.


The Cineflex Elite system is our most cost-effective Alexa-M based mount with a choice of 14.5-60mm or 30-300mm lenses. When combined with a Codex-S we can record ArriRAW in 16:9 2k resolution.


The Freefly MōVI Pro is an industry leading camera movement system that helps us get the most stable footage, whether in the air using our Alta 8 drone, mounted to a tracking vehicle or simply used handheld. The MōVI Pro supports cameras weighing up to 6.8kg,  it's compatible with mirrorless cameras all the way up to smaller cinema cameras.


The DJI Ronin 2 is suitable for use either handheld or mounted in a variety of ways including onto a drone, Steadicam, vehicle mount, and more. This gimbal supports a range of camera and lens configurations, boasting a payload capacity of 13.6. This means it can be used for everything from DSLRs up to cinema cameras such as the ARRI ALEXA Mini or Sony FS7.


The RUGGED Mount carries payloads up to 90kg. This mount also provides two axis movement for advanced use on roads with potholes or on boats cutting through choppy waters and across waves. Designed for multiple camera systems.


The Unimount can support up to 56kg, designed for use in the air or marine environments, we can also top or bottom mount the camera system.


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